I'm Laonikos, a creative artist and wilderness guide based in London and doing occasional work in Finland. (I'm originally from Greece, though.) I work as an improvising musician, dancer, workshop leader, festival producer, and wilderness guide. In my work, I explore how, through the arts and wilderness experiences, we can connect to ourselves, to each other, and to the world around us.
I'm a GLOMAS graduate, a certified wilderness guide, and co-artistic director of artArctica. We are currently producing our second international and multiarts artArctica festival (9-11 February 2017), and in 2016 we published poem.a, an anthology of Arctic poetry. In London I studied composition at Guildhall with Paul Newland.
Though I work primarily with sound, I also work creatively with movement and poetry. I am interested in improvisation as a way of connecting to the present moment, and enjoy collaborating with other artists. When I'm in a good mood I often whistle Boccherini. I am currently learning the shakuhachi.
(I also design my own website.)
I believe in honesty. I believe in play, in sharing, in dance. I believe that music is a verb, not a noun. That all art is a process which connects us to each other, and its value is not found on a price-tag of an artwork or a CD, but in the change it brings to the people involved.
As an artist and person I am inspired by improvisatory performance, Japanese philosophy, and the Finnish wilderness. What I find common in all of these is the importance of listening and being present. Through my work I seek to create immersive spaces where listening and being present are as effortless as in the wilderness, and performers and audience are equally important to the process.
Immersive Listening research project explores how being wilderness affects improvisation. Our first expedition and performance took place in August 2015, in collaboration with Helsinki Meeting Point. My thesis, titled Rewilding music: Improvisation, wilderness, and the global musician, explores the ways in which the wilderness is embodied in improvisatory practice, and how it can nurture cosmopolitan listening.
umami-music is an ongoing collaboration with Chris Bartholomew. In November 2015 we took over Helsinki Music House's Black Box hall, with a 5-hour improvisation exploring the hinterland between vastness and the momentary, slowness and the sudden, the wild and the tamed: a haiku-music. We released our first EP in Spring 2016. Here's some extracts:
In January 2015 we performed at Sarawak Culture Centre and Kuching Parliament in Malaysia as part of a camp organised by GLOMUS.
In August 2013 I wrote a talk on life, relationships, the self, nothingness, and meaning, titled Black Holes of the Mind for Three Discourses, a collaboration with Matthew Lee Knowles at the Barbican Centre during Hack The Barbican 2013.
For a complete list of compositions and performances, click here.